The Devil and Sarah Blackwater

a brand new musical written by Anthea Carns, with music and lyrics by Lauren Freman

composer // lyricist // actor

composer // lyricist // actor

Any time Freman is on stage is absolutely electric. She’s a stunning performer.
— Seanan McGuire, New York Times bestselling author
The songs are wonderful. Pretty much anytime Sarah is singing in her concert capacity or singing about her relationships, it was great.
— Jay Irwin, Broadway World
Remarkably clever and nuanced lyrics.
— Seanan McGuire, New York Times bestselling author

the hEROn ensemble

multidisciplinary theater ensemble fostering a culture of empathy, authenticity, and innovation from the inside out

composer // sound designer // performer

composer // sound designer // performer

Their work is flawless. The list of people I say this about is very short, and I don’t say it unless I mean it.
— Kairu Yao, theater critic
They are in that 10% that are pushing boundaries and exploring new ideas.
— Brett Love, Dark Set Films
Somehow the ensemble made the material seem so fresh and new...somehow they managed to find the beating heart of the emotions of the words in such a beautiful energetic new way.
— Maggie Lee, playwright

Richie Dagger's Crime

electronic-influenced psychedelic R&B

violin // vox // aux percussion

violin // vox // aux percussion

[Sea of Dysfunction is] one of this year’s strongest Seattle releases.
— City Arts Magazine
Richie Dagger’s Crime makes music that will have you SLIDING off your SEAT. It’s that good.
— Sean De Tore, The Mixtape
I have fallen in love with this new band. This music is beautiful and worthy.
— Nadamucho.com, '41 Seattle Bands We're Watching in 2016'